My Favorite Albums of 2010
This was a harder post to write because I went through my head, my last.fm account and all of the interwebz and came up with 22 possible albums that I thought were Top 10 worthy. So I’ll try and kick it off with some honorable mentions and superlatives.
My Favorite Chiptune Album

Pixels... It's a thing...
MOON8 by Brad Smith
This simply put is Pink Floyd’s Dark Side of the Moon but done entirely with 8-bit tools to make it feel like the only true way to listen to it is by putting an old gray cartridge in a NES. Best of all, this was released for free. Get the album in any number of formats and read some FAQs about it here.
My Favorite Metal Album

Wash it down the drain!
Option Paralysis by The Dillinger Escape Plan
A better title for this award should be The Only Metal Album I Truly Enjoyed This Year. In my eyes, 2010 wasn’t the best year for metal. Dio died, Mike Portnoy joined Avenged Sevenfold, and Lordi still exists. 2 bands I love released some of their most mediocre albums in their careers (*cough Demon Hunter and War of Ages cough*) And according to a lot of “metal” critics, I need to love bands with names like Decrepit Birth and Enslaved to get the most out of metal this year. No thanks. I’ll stick with one of the most consistently insane bands out there.
The Dillinger Escape Plan released an album this year that had the brutality of their earlier work and the complexity of their newer releases. Almost like Radiohead’s In Rainbows, this was an album that was a culmination of all their previous records.
My Favorite Rap Album

If everything is made in China, are we Chinese?
How I Got Over by The Roots
This album is a powerhouse of talent. Even though they have steady music jobs playing 5 nights a week on Late Night with Jimmy Fallon, they still found time to put out a smooth album that doesn’t concentrate on ego stroking or self obsession. Lyrically this album was almost an anti-thesis to critic favorite My Dark Beautiful Twisted Fantasy by Kanye West. Also, piano driven hip-hop wins my heart every time. And that minimalistic plinking on the keys in “Runaway” doesn’t count Mr. West.
My Favorite Soundtrack

The internet's not written in pencil, Mark. It's written in ink.
The Social Network by Trent Reznor and Atticus Ross
The best way I can describe Nine Inch Nails frontmans soundtrack for The Social Network is NIN’s Ghosts I-IV concentrated. Rather than 36 instrumental tracks of dissonant piano and industrial electronic sounds or dirty guitars, we get 19 songs that were written to provoke emotions to accompany the brilliantly written and directed film.
It would be unfair of me not to mention some of my other favorite soundtracks from 2010. Scott Pilgrim vs. the World had a great soundtrack from artists like Beck, Plumtree, Metric, and Broken Social Scene, and a great score by Radiohead producer Nigel Godrich. And Tron: Legacy could not have asked for a better duo to put together tracks for it’s stylized techno universe than Daft Punk. And the use of Sigur Ros’ “Festival” at the end of 127 Hours was uplifting enough to cause grown men to cut onions.
Most Disappointing Album

Oh...
TIE: Congratulations by MGMT, and Plastic Beach by Gorillaz
Or maybe I just didn’t “get” these two albums. They got good critical reviews, but I think I was expecting more of the first half of Oracular Spectacular and another Demon Days. Either way, they didn’t sit with me right and never kept my focus for too long and didn’t end up getting a whole lot of use in my listening this year.
Onto the big 10.
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#10
This is Happening by LCD Soundsystem

And love is a curse, shoved in a hearse. Love is an open book to a verse of your bad poetry
I’m usually not into the Pitchfork ’80s synth whine-a-long albums that they hail as the next step in modern art, but LCD Soundsystem put out an oddly enjoyable album that appeals to my weirdo sensibilities. In my room, more than a few hours were spent listening to this album while roaming about in the just as strange world of Minecraft. I dedicated my main castle basement to “Dance Yrself Clean”
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#9
The Way Out by The Books

You may just possibly detect from my voice that I am Irish, and now I leap forward in time.
Ok, I lied. I love this weird stuff. The Books compose their albums out of non-traditional looped percussion, unconventional spoken word cuts, and electronic wizardy to achieve a feeling comparative to hallucinogenics. And that should leave no surprise as to why The Way Out had a very 1970′s New Age hippie feeling to it. And while this isn’t my favorite album from the group (see The Lemon of Pink), this was still a solid effort that I keep returning to.
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#8
Broken Bells by Broken Bells

Without warning, she gave up the ghost inside
Danger Mouse and James Mercer. The Grey Album and Oh, Inverted World. One of the best modern producers and one of the best voices in alternative music. Broken Bells was a pleasant surprise. From the searching and wandering sounds of “The High Road” to the straightforward falsetto driven “The Ghost Inside”. Speaking of “The Ghost Inside”, how about that awesome video with Christina Hendricks as an android? Heck yes.
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#7
High Violet by The National

I still owe money to the money, to the money I owe
These guys have one of the coolest dynamics I’ve heard in indie rock. Something about the faster paced drums backing Matt Berningers somber and almost slurring baritone come together in a sound that comes off a little sad, a little exciting, and very interesting. Also, Matt has an inspiring beard and style that reminds of slick black and white films about people in sorrow and wealth. I don’t even know what that means.
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#6
Champ by Tokyo Police Club

On the cover page of the year. Grainy photographs, greasy hair
Sporadic indie rock with a lovable sense of care in the craft of their upbeat songwriting. The way that singer, David Monks sometimes almost croaks out his lyrics almost makes it sound like a band riding on apathy, but the band keeps an upbeat tempo and has fun with their distorted bass and resonant guitar solos. Definitely a surprise hit for me.
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#5
The Age of Adz by Sufjan Stevens

It's been a long, long time since I've memorized your face
Sufjan Stevens. Oh you. The disgruntled and seemingly frustrated artist hadn’t released an album since 2005′s glrious Illinois. He surprised everyone this summer with the similar-yet-fresh All Delighted People EP. Then he REALLY surprised everyone with The Age of Adz, a stark eclectic electronic album that ditched mandolins, harps, and flute trills for drum machine loops, synthesizers, and auto-tune microphones. I initially described it as a Sufjan Stevens take on Animal Collective or Architecture in Helsinki. But now I realize that it’s totally just the next evolutionary step in Sufjans artistry. Gotta love the guy and I really wish I had seen him on his tour.
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#4
Sigh No More by Mumford and Sons

You desired my attention but denied my affections, affections
I love that Americans love British people and British accents. These guys put out a lovable folky album that included the word “love” or “heart” in almost every song. But the melodies and arrangements are so catchy and so fun you can’t help putting the album on repeat. According to all of the live or out of studio footage I saw of them, they have a good raw sound as well. Can’t wait to hear what else these guys put out over the coming years.
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#3
Contra by Vampire Weekend

When the taxi door was open wide I pretended I was horrified
Vampire Weekends debut album was great on its own, but everything that was great about that album was amplified in their followup, Contra. Soft songs were softer, upbeat ska type songs were upbeatier and ska-ier, and melodies that belonged in Billboards Top 200 now belonged in Billboards Top 40. They even toyed with auto tune on “California English”. I really enjoyed the single, “Giving Up The Gun” and it ended up as my most played track on my last.fm account with 42 full play throughs.
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#2
The Suburbs by Arcade Fire

Dead shopping malls rise like mountains beyond mountains
I remember not liking this album when I first heard it. And now I can’t figure out why. All I’ve known growing up are white suburban neighborhoods. And while I never personally felt that I was trapped or destined to something greater outside of those suburbs, I understand the apathy and longing for something different. I grew up constantly saying I was bored or than there was nothing to do when I had all of Americas middle class culture at my fingertips. I think that Spike Jonzes video for “Suburbs” fits the tone of the album PERFECTLY. Also, “Sprawl II”? ME GUSTA.
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#1
Go by Jónsi

Grow til tall, they all, in the end, will fall
Take out the post rock buildups of Sigur Rós songs, throw in some flamboyant and wild arrangements and you have Jónsi’s solo album. It truly is Sigur Rós minus everyone but Jonsi. I went and saw him play on his Go Tour in Milwaukee (Sadly, my only concert this year) and I was blown away. The guys playing the instruments were so tight in rhythm and band cohesion even though they were at times playing their songs at 200 mph. The drums on the album/tour were especially exceptional. Andrew Platter put it best when he simply told me, “He was one of the best drummers I’ve seen. Period.” Please give this album a listen.